Thursday, March 3, 2011

Letter Of Confirmation Community Service

LANDSCAPE ART PIECES IN KEW GARDENS

Photo Guillermo Chaves H.


Kew Gardens in constant renewal surprised with special details and art new infrastructure with a seal of high aesthetic level. Each piece that incorporates leading innovation and quality meticulously studied. Many works are sculptures, fountains, sculptures, art exhibitions, such as Henry Moore exhibition that I described in this blog, and other recent additions of modern design. Being in tune with the times and provide a good level of contemporary art is one of their goals.

Some works that I can list and are pleasantly surprised me:

SLATE SEVEN TOWERS

Photo Guillermo Chaves H.


The fountain sculpture Sevenkeeps Slate 1996 was designed by Dan Harvey , with the assistance of Heather Ackroyd, Dan Knight and Paul Wilkins. Made on behalf of Sir Robert and Lisa Sainsbury by the Privy Garden at the Royal Botanic Gardens, Kew. The source is the central feature of the Privy Garden at the Royal Botanic Gardens, Kew.

Photo of William H. Chaves

The towers are constructed from hundreds of slabs, each layer specifically cut and placed to create a spiraling tower. The top of each tower is topped with a container of molten bronze. Water is pumped to the tower filling up the glasses, and slowly seeps through the slabs to pond. Originally created without the fence, but fear for the potential danger presented the piece was surrounded, this against the wishes of the artist.

Photo of William H. Chaves

DANIEL HARVEY is a British artist born in 1959, graduated with honors from the Bachelor of Fine Arts in Cardiff College of Art and holds a Master of the Royal College of Art, London. Slate is the material that marked the beginning of much of their work. His creative work includes installation, sculpture, landscape design, photography, performance, film and often reflects the architectural and scientific concerns. Another part of the conceptual approach is the time and visibility.


GATEWAY Sackler



The Sackler gateway designed by John Pawson for Kew Gardens. This work says a lot about how to deal with the architectural design of a passage on the water targeting integration and showing a good solution speaking at heritage sites of historical importance. It shows that we can bring the cutting edge with the past, naturally relate to the architecture and nature. Its gently undulating form and choice of materials make it lightly. The design of the rails, consisting of a rectangular profile with light bronze " leds the granite pavement between any two profiles is simple elegance. Its total length is 42 m rolling, deployed floating over a pond. The sensitivity with which it was designed is more characteristic of the eastern to the western landscape.

architect John Pawson - RBG KEW http://josegenao.wordpress.com/2007/02/


DNA for KEW Gardens of Charles Jencks, 2003.

Photo of William H. Chaves

Discovery of DNA has shown us a new geometric figure that excites us. It is also a design motif that can be expressed, to some extent, our anthropocentrism through works of art.

helical structure, designed by Charles Jencks , artist, architect and theorist of postmodernism, is a work that takes up the theme and brings it to the sculpture and landscape design. His work as a landscape architect is based on various organic shapes, such as fractals, chaos theory, genetic forms, waves and solitons (mathematics and physics, a soliton is a solitary wave). It is one of the most creative contemporary artists, has taken the ideas, physical, mathematical, biological, and so the proposed landscape works as enigmatic as a high aesthetic profile.

Wednesday, March 2, 2011

How To Use Neutrigina

FLETCHER STEELE (1885 - 1971), Beatrix Jones Farrand



Born in Rochester, New York, Fletcher Steele is the most American landscape architect influential in the years 1920-1930 because his work is reflected in the transition from the Beaux Arts style Arts and Crafts and finally to the modern. Fletcher Steele's case is exceptional because for the profession of landscape architecture , their designs represent a bridge between these periods. He acquired a good education in design, and had a great talent, so it is a key to understanding the evolution of the profession at the time. His work is very rough and is credited with the design and creation of more than 700 gardens from 1915 until the time his death. Fletcher Steele graduated from Williams College. Joined , still very young at the age of 22, the School of Landscape Architecture Harvard University in 1907 where Frederick Law Olmsted, Jr . was one of his teachers. In his two years at Harvard Steele considered "the greatest of teachers who were there were Denman Ross, who made up for lost time very much." Ross taught aesthetic theory, not landscape architecture. He remained his friend after that their students leave Harvard. Steele left the university to accept a position as an apprentice with Warren H. Manning.
In 1913 , Steele embarked on a four-month tour of Europe to study the designs of the most important gardens of several of their countries. On his return to the United States , opened his own landscape design. Their initial plans were structured based on the Arts and Crafts style English. You can check details on the use of craft-style Gertrude Jekyll , Reginald Blomfield, and TH Mawson but were even more ornate as they also used Italian-style details.
His conversion to Art Deco style began in 1925 when he visited the Exposition Internationale des Arts Decoratifs et Industriels Modernes (the "Art Deco Exhibition ") and saw his examples of cubist gardens made with innovative materials such as mirrors, colored concrete and gravel. In 1930 Steele wrote showing great enthusiasm for the works of art of Andrea Vera, Tony Garnier (architect), and Gabriel Guévrékian . Steele's designs and writings of this period were factors in the transition from Art Deco style to Modernity in your country. helped raise awareness of the Modern Style among younger students of Harvard landscape in particular; Dan Kiley, Garrett Eckbo , and James C. Rose, for which Steele broke new ground and showed the possibilities of modern art and creativity inherent in the process design.
Dan Kiley later wrote that "Steele was the only designer with good work during the twenties and thirties, the only one who was really interested in new things."
Garrett Eckbo said "Fletcher Steele was the transitional figure between the old guard and the modern concepts. I have always been interested because it was an experiment."
This was the beginning of the first wave of modernism in the American landscape architecture. It begins in 1929 with a revolutionary design of Fletcher Steele an amphitheater set a visual axis of the Bay, is the Camden Amphitheatre in Maine.
This was the only public Commission Fletcher Steele. It is valued as a heritage asset in Maine, which is important as the first modernist design in America. Its innovative details are: the axis tilted relative to the library, the port, clear geometry in the use of forms, and unique handcrafted detail exhibited in the original design of the Amphitheatre. Steele designers was unique in its kind, worried obsessively about the finish of their designs, and developed a long term relationship with its customers, many of whom became lifelong friends.


Most Steele gardens have disappeared, replaced by subdivisions and parking lots. There are only two that are still open to public Naumkeag , which was his most ambitious garden, whose creation was extended about 3 decades, and the gardens of the Mission House , both are in Stockbridge, Massachusetts.

Naumkeag Gardens
Naumkeg map website

has one Naumkeag of the most impressive and imaginative gardens, is located in Stockbridge , Massachusetts. The cottage is also an important heritage site, has 44 rooms. Original garden was designed by Nathan Barrett. The residence is surrounded by 3.2 acres of terraced gardens. When Mabel Choate inherited the house developed the gardens Fletcher Steele as its landscape architect. From 1926, and the two collaborated to transform their gardens for a long period of thirty years. By all accounts, the two; and Mabel Fletcher , were fond of a good martini and spent many afternoons in the garden he was designing, sitting on a pair of stone chairs, drinking and talking. This was how they identified the following projects in the garden. After several drinks, and before the end of the day, Mabel called one of his staff to bring your checkbook and begin the next project.

blue ladders are the most recognizable feature of the gardens at Naumkeag in Stockbridge, Massachusetts. http://www.esf.edu/la/research/steele/Naumkeag.htm

His work in this garden includes the Garden in the afternoon, the Chinese Garden with a Moon Gate and the Blue Stairs. The latter is the most famous and distinctive feature of the garden. A flight of stairs with arched blue and white railing Art Deco style ascends through white birches. The property has over three acres of terraced gardens surrounded by sixteen hectares of woodlands, meadows and pastures that spread to the river that crosses the Housatonic Valley . Steele created a series of outdoor compartments are recognized today as a testament of this collaboration and aesthetic sensibility with which Steele designed their works. Can be recognized through this work and renewing formal characteristics of Art Deco .


His first garden of this style is to Helen Ellwanger, uses a revolutionary new material for landscaping, concrete . Forms a curved diagonal bold steps on a terrace forming an intricate pattern. Steele uses the geometry curves and counter-curves as opposed to straight lines. The garden in the hills of Berkshire Massachusetts did emanate renewing their confidence in their proposals and instead show your originality. This would be the impetus that was needed for that between twenty and fifty, American gardeners begin to go out and find their own territory and establish their own version of modern design. For historians the most valuable thing we can rescue it; "Steele capacity to look forward and backward, and be able to use the ideas and details of the past as inspiration for create the new, this is what made him so successful then and it is so attractive now. " (2)
He donated his professional papers to the American Society Landscape Architects (ASLA), which files in their libraries, so that their work can be studied today.


Tuesday, March 1, 2011

Motorless Carpet Sweepers Spinky

LANDSCAPE - LANDSCAPE ARCHITECT


BEATRIX Farrand JONES (1872 -1959)


Beatrix Jones Farrand landscape architect was a pioneer of the profession in the United States of America . Born into a prominent New York family on June 19, 1872. In his youth Farrand was an avid gardener to learn, at twenty Farrand was introduced to the field of horticulture with one of her main mentors, botanist Charles Sprague Sargent of Arnold Arboretum of Harvard University. From 1890 to 1891, studied at the Arboretum. It was thanks to this chance encounter with Sprague Sargent, which would open the stakes to a new field of interest and purpose of his passion. In 1893 he began to read, photograph, observe and record the details of Bar Harbor, a place near the sea in Maine, where his family was going on vacation each year and spent much of his time admiring their gardens. She moved to Brookline, Massachusetts, where he studied gardening, landscaping, botany and planning. His mentor, Sargent, Farrand motivated to travel as much as possible so he could learn from some of the great works of world. One of these routes was through Europe, where she could visit more than twenty notable gardens. She studied for years many gardens he visited in Italy, France, Germany, Holland, England and Scotland. Other traditions of the landscape also inspired particularly Italian styles, Chinese and other traditions that were reflected in their designs. He began to practice landscape architecture at the age of 25 years, working from the top floor of the house of his mother in New York. He married in 1913 with the famous Yale historian, Max Farrand .


Beatrix Farrand was a woman with a cart very successful thanks to his good social connections, made nearly 200 commissions gardens designed for many wealthy clients. Built many gardens, majority in the State of New York. Farrand successfully combined experience as horticulturist, perfected through the study in the Arnold Arboretum with a good eye for detail, an almost perfect proportions, and extensive training in fine arts and history design. In 1897 he designed and built a small cemetery in Seal Harbor, Maine could have been his first real project. Customers like Harkness and Rockefeller was commissioned to design gardens in their farms and cottages. One of the most beautiful private gardens and evocative of the United States are gardens Abby Aldrich Rockefeller in Seal Harbor, Maine. These remarkable gardens designed for the Rockefellers (Nelson and David Rockefeller's mother), between 1926-1929. Influences Chinese and Buddhist concepts can sense in this design. Established after a visit to Asia in 1921, The Rockefeller brought a treasure enrich your garden, was a collection of imperial yellow tiles of the roof of the Forbidden City, Beijing. These tiles adorn the perimeter walls surrounding the garden.


Harkness Memorial State Park is a public park and botanical garden located in Waterford, Connecticut, on Long Island. Is 93 hectares. The park was formerly Eolia, an estate of Edward Harkness, a millionaire heir to a fortune started by his father's substantial investment in Standard Oil's John D. Rockefeller. He bought the mansion in 1907. Between 1918 and 1929 external works carried out under the guidance of landscape architect Beatrix Farrand Jones. Eolia was bequeathed the state of Connecticut in 1950 and became part of the park system State Park in 1952.

While most of their gardens have been lost in time, are notable exceptions garden Eyrie , the aforementioned Rockefeller's Garden in Maine, also a large part of campus Princeton and Yale , gardens Dumbarton Oaks in Washington, DC, which is arguably one of the great gardens of North America .


The work of Gertrude Jekyll marked an important influence on Beatrix . When Beatrice went abroad with his mother in 1895, Farrand wanted to go to England to meet Gertrude Jekyll. Although the two women were found, no meetings to give continuity to exchange or correspondence, Beatriz continued reading Jekyll's books. Farrand joined well to the vision of people of the stature of Gertrude Jekyll and William Robinson in monitoring the Arts and Crafts style . Henceforth his defense of the use of perennials with combinations based on color harmony, the sequence of blooms and texture would be their approach many of his designs. This was the birth of American-style mixed border, which reached its aesthetic ideal way of formal gardens with a fresh and enjoyable sophistication. What else you got to recognize is that sensations are perceived as privacy, warmth, candor and quiet. All their designs create a unique atmosphere, interesting and enjoyable for visitors.
In Farrand work, the influence of Jekyll can be translated into various aspects such as, the smooth and subtle choice of plants, how to project a strong emphasis on the value of nature . Use of "boxes" in the garden, or defined areas, flowing transitions from one area to the next, and have become a hallmark of landscape architecture at the time. During World War II planes acquired Jekyll and donated to the University of California a possible disaster rescuing a valuable documents for future generations.
Whether large or small, formal or naturalistic designs Farrand responded both to the specific features of the site as to the wishes of their clients. As a result, every job commissioner is unique and obvious quality reached in the hands of Farrand. His influential work became a milestone in the taste of Americans in the gardens in the first half of the twentieth century . His legacy remains even in the original designs we can still admire today.
Farrand was one of the eleven members who founded the American Society of Landscape Architects (ASLA), was the only woman of the eleven founders of American society and had a predominant influence in the profession in the United States. An autobiography of Beatrix Farrand was written in 1956 and published in the Reef Point Gardens Bulletin in 1959. His papers are archived at the University of California, Berkeley and Harvard.
Dumbarton Oaks Gardens

Dumbarton Oaks is a nineteenth century mansion and its spectacular gardens. The Federal-style residence and is located in the neighborhood of Georgetown in Washington DC The mansion was built in 1800. In 1920 Robert Woods Bliss bought and his wife Mildred Barnes Bliss . Mr. Bliss was a longstanding member of the diplomatic corps of the United States. Mildred and Robert W. Bliss, was a major American philanthropists. The garden was developed between 1922 and 1947 by Mildred Bliss. They are about 4 acres of gardens and relied almost all their landscape design landscape architect Beatrix Farrand in collaboration with Mrs. Bliss. She proposed a design consistent with the Arts and Crafts movement is structured yet romantic. A small number of theme gardens contain individual terraces or emphasis in the design, linked by causeways. The series of terraces are built into the hillside behind the house, and joins other areas of an informal tone. The gardens include the Star Garden, Green Garden, the Terrace of the Hague, the Terrace of the Shrine, the Rose Garden, Arbor Terrace, the Terrace of the Source, the pool of Lover's Lane , the Terrace of Pebbles, the Plaza of the Camellia, Prunus Road, Cherry Hill, Apple Hill, Forsythia Hill and Hill the Vista Hermosa. All are open to the public (1) the former residence now houses the Research Library and Collection Dumbarton Oaks, a center for the study of the Byzantine Empire, for her study of pre-Columbian times and the history of landscape painting.